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Mostrar mensagens com a etiqueta estudo. Mostrar todas as mensagens

quarta-feira, 22 de junho de 2016

Relatório mostra o impacto positivo dos professores bibliotecários escolares e das bibliotecas na aprendizagem dos estudantes. Download gratuíto.


O relatório de investigação School libraries work!!: A Compendium of Research Supporting the Effectiveness of School Libraries, levado a cabo por Scholastic, mostra o impacto positivo dos professores bibliotecários escolares e das bibliotecas na aprendizagem dos estudantes.

Faça o download desta publicação AQUI.

quarta-feira, 2 de setembro de 2015

A leitura ajuda a reduzir o stress / Reading 'can help reduce stress'

Olga lendo, 1920, Pablo Picasso (Espanha, 1881-1973) carvão sobre papel



"Reading is the best way to relax and even six minutes can be enough to reduce the stress levels by more than two thirds, according to new research.

And it works better and faster than other methods to calm frazzled nerves such as listening to music, going for a walk or settling down with a cup of tea, research found.

Psychologists believe this is because the human mind has to concentrate on reading and the distraction of being taken into a literary world eases the tensions in muscles and the heart.

The research was carried out on a group of volunteers by consultancy Mindlab International at the University of Sussex.

Their stress levels and heart rate were increased through a range of tests and exercises before they were then tested with a variety of traditional methods of relaxation.

Reading worked best, reducing stress levels by 68 per cent, said cognitive neuropsychologist Dr David Lewis.

Subjects only needed to read, silently, for six minutes to slow down the heart rate and ease tension in the muscles, he found. In fact it got subjects to stress levels lower than before they started.

Listening to music reduced the levels by 61 per cent, have a cup of tea of coffee lowered them by 54 per cent and taking a walk by 42 per cent.

Playing video games brought them down by 21 per cent from their highest level but still left the volunteers with heart rates above their starting point.

Dr Lewis, who conducted the test, said: "Losing yourself in a book is the ultimate relaxation.

"This is particularly poignant in uncertain economic times when we are all craving a certain amount of escapism.

"It really doesn't matter what book you read, by losing yourself in a thoroughly engrossing book you can escape from the worries and stresses of the everyday world and spend a while exploring the domain of the author's imagination.

"This is more than merely a distraction but an active engaging of the imagination as the words on the printed page stimulate your creativity and cause you to enter what is essentially an altered state of consciousness."


Fonte: Telegraph

sábado, 7 de fevereiro de 2015

Estudo afirma que ler por prazer faz bem à nossa auto-estima / "Reading for pleasure boosts self-esteem"

s.id.


"People who read regularly for pleasure have greater levels of self-esteem, are less stressed, and can cope better with difficult situations than lapsed or non-readers, new research for Galaxy Quick Reads has found". Leia mais AQUI.

sexta-feira, 20 de setembro de 2013

Universidade da Beira Interior disponibiliza 300 livros grátis




O Departamento de Comunicação e Artes da Universidade da Beira Interior disponibiliza para download gratuito cerca de 300 livros sobre comunicação, jornalismo, cinema e audiovisuais, e estados da arte. As edições são bastante recentes, muitas mesmo deste ano. Os livros estão disponíveis em formato PDF e há-de haver quem lhes ache interesse e até utilidade. Veja AQUI.

segunda-feira, 14 de março de 2011

A Saga Twillight, o vampiro cavalheiresco e a donzela voluntariosa / Twillight and the vampire in love




No periódico on-line sobre novas perspectivas de estudo da literatura para crianças e jovens The Looking Glass: New Perspectives on Children's Literature, Vol 15, No 1 (2011) pode ler um artigo sobre a Saga Twillight e de como Stephenie Meyer se inspirou na literaura gótica mas também modificou a imagem do tradicional vampiro dando-lhe um carácter cavalheiresco. À donzela indefesa vítima do ataque implacável das presas sedentas de sangue de um demónio sucede uma adolescente apenas frágil fisicamente mas independente, voluntariosa e senhora do seu destino. Uma combinação decisiva para o sucesso da saga. 

O artigo intitula-se "Vampires Without Fangs: The Amalgamation of Genre in Stephenie Meyer’s Twilight Saga" e é da autoria de Anne Klaus e Stefanie Krüger.



"Through an analysis of the figure of the vampire in literature as well as in folklore it will be observed to what extent Edward differs from the folkloric blood-sucking revenant and also from the master of all literary vampires, Dracula. Furthermore, it will be investigated how his knightly behaviour towards Bella contributes to the impression of a romantic transformation of the gothic form. Special attention will also be paid to the figure of Bella, who, on the one hand seems to be presented as the femme fragile or damsel in distress concerning her physicality, but, on the other hand, represents a figure of identification for female readers as the independent, strong-willed hero of young adult fiction. The analysis seeks to prove that the combination of these various aspects of different genres and traditions allows Meyer to create a new kind of vampire love story".
Leia o artigo na íntegra AQUI.

quarta-feira, 12 de janeiro de 2011

Mary Roach: 10 coisas que não sabem sobre o orgasmo/ 10 things you didn't know about orgasm

Mary Roach, autora do livro "Bonk" ("Queca"), pesquisa estudos científicos obscuros, caricatos, alguns com séculos de existência, para fazer 10 afirmações surpreendentes sobre o clímax sexual, que vão do bizarro ao hilariante. (Esta palestra apenas se dirige a adultos). Mais para (sor)rir do que para aprender este passeio pelos caminhos trilhados pela ciência ao longo do tempo em relação à sexualidade humana e não só.






Fonte: TED

quinta-feira, 4 de novembro de 2010

Os adolescentes continuam a ler mas de maneira diferente / "Teens read for pleasure, even in the digital age"

Ilustração de Eclipse (Saga Twillight)  por alicexz


Teens haven't shelved reading for pleasure

By Donna St. George
Washington Post Staff Writer
Monday, November 1, 2010; B2

Teens read for pleasure, even in the digital age.

That's how it looks in a Rockville library, where 14-year-old Olivia Smith is propped in a comfy chair, deep into a Japanese novel genre called manga. She has been reading on the computer for an hour, and later, when she texts her friends, she will still be turning pages between messages. "I'm sort of a bookworm," she said.

Recreational reading has changed for teens in an era of ebooks and laptops and hours spent online, but experts and media specialists say there are signs of promise despite busy lives and research findings that show traditional book reading is down.

"It's not that they're reading less; they're reading in a different way," said Kim Patton, president of the Young Adult Library Services Association.

A detailed analysis into the trend on reading for fun - in books, newspapers and magazines - comes from researcher Sandra Hofferth of the University of Maryland, who analyzed the daily time-use diaries of a nationally representative sample of children 12 to 18.

Pleasure reading dropped 23 percent from 2003 to 2008, from 65 minutes a week to 50 minutes a week - with the greatest falloff for those ages 12 to 14. Still, she said: "They could be reading on the cellphone, in games, on the Web, on the computer. It doesn't mean they're not reading, but they're not reading using the printed page."

Michael Kamil, an education researcher at Stanford, sees it much the same way, noting that teens "still read quite a bit but in different ways and for different reasons than the adults believe they should."

The question of what constitutes "reading" has been debated for decades, said Kamil, whose definition is broad: It includes not only just books, magazines, newspapers and blogs, but also text messages, multimedia documents, certain computer games and many Web pages. "It's all important," he said.

Recreational book reading looked stronger in a January study by the Kaiser Family Foundation, which found more reading overall than the Maryland study. For kids 8 to 18, it reported a decline from 43 minutes a day to 38 minutes a day, entirely related to magazines and newspapers. At the same time, students reported online reading of those publications - an average of two minutes a day.

"The data say to me that kids have a love of reading that is enduring, and that is different than other things teens do," said co-author Victoria Rideout.

Clearly, books still can create a phenomenon.

Think "Harry Potter." The "Twilight" series. And lately, "The Hunger Games," a science fiction trilogy that librarian Deborah Fry said has created "quite a waiting list" in her Loudoun County library branch in Ashburn.

"Even with all the distractions, even with all the technology, there are books that break through," said Deborah Taylor of the Enoch Pratt Free Library in Baltimore, who has worked in the trenches of teen reading for more than 35 years.

The way Taylor sees it, getting teens to read for fun has always been a challenge, but now, time is a bigger obstacle. Still, she said, technology "can also pull you together with people who like the books you like" on fan sites and in online forums.

Patton, of the Young Adult Library Services Association, said that sales for young adult books have outpaced those for adult books and that "The Hunger Games" series is as nearly big a phenomenon as "Twilight." Teen favorites also include graphic novels, such as manga, that include illustrations or comic panels.

"No matter what teens are doing, we need to show them they need to keep reading on their radar and make time for it," Patton said.

Randi Adleberg, head of the high school English program at Robinson Secondary School in Fairfax County, said that overall, she thinks the trend is positive. If reading online and in game-playing are taken into account, "I think the digital age has probably increased reading," she said.

For some students, traditional book reading for pleasure is not a first choice because they equate reading with schoolwork.

Ross Vincent, 16, wishes he had more time to read but said he's sidelined by other endeavors - homework, marching band and orchestra, a job, a girlfriend. "I find my time is spent in other places," he said. Told about an Edgar Allan Poe book event he could have attended that day, the teen lit up. "For serious?" he asked, rattling off Poe works he has enjoyed.

He would have gone, he said. "Oh, man, I would've run my mouth."

This sort of interest is what school media specialists love to see.

Sarah Way, who works at Wootton High School in Montgomery County, said that there is a core group of students who use the library a lot and then others who do assigned reading there but don't seem to browse. "I would like to see more carry that book around for the sheer joy of it," she said.

In Arlington County, a library book club for high-schoolers has seen its ranks swell from 13 or 14 a couple of years ago to 26, said Maria Gentle, a youth services librarian in the county. "I think we have many, many kids who still read for pleasure," she said, recalling that last spring, two teens hit the book club en route to prom, fancy dresses and all.

At Gaithersburg High School, media specialist Catharine Chenoweth sees a declining interest in nonfiction books - with so much of that material available online - while fiction still gets readers. At least certain kinds of fiction.

"Classics are not read as much as the more contemporary fiction," she said.

Then there are the Olivia Smiths of the world.

The ninth-grader at Richard Montgomery High School has been reading voraciously since she was young. Her two sisters read the same way. When Olivia really likes a book, as with the last of the "Twilight" series, she rereads - maybe 20 times.


quinta-feira, 4 de março de 2010

Estudo sobre o sector cultural e criativo em Portugal

No dia 1 de Março, no Palácio Nacional da Ajuda, teve lugar a apresentação pública do estudo sobre o sector cultural e criativo em Portugal, efectuado por encomenda do GPEARI ao Professor Augusto Mateus:


"O presente estudo baseia-se na construção de um modelo conceptual próprio para medir, pela primeira vez e sem ambiguidades, a relevância económica do sector cultural e criativo em Portugal.

A metodologia aplicada permitiu apurar o contributo deste sector para a riqueza e para o emprego nacionais. Traça também o retrato do tecido económico cultural e criativo português, designadamente, a sua dinâmica de crescimento, a dimensão e a distribuição dos estabelecimentos pelas 30 regiões (NUTS III) do país, a presença de capital estrangeiro e as características do emprego, e analisa a posição de Portugal no comércio internacional de bens e serviços culturais e criativos".
 
Sumário e versão integral do estudo AQUI.
 
Transcrevo abaixo as definições referentes a "criatividade artística” vs “criatividade comercial”:
 
"A criatividade surge, nesta proposta, como um elemento aglutinador determinante para a própria autonomização e configuração do sector cultural e criativo (e não, portanto, como uma espécie de subsector adicional que aumentaria a relevância quantitativa global desta realidade), um eixo transversal onde é possível encontrar uma interacção de diferentes variáveis.

As principais variáveis da criatividade incorporam uma dimensão cognitiva – inteligência, conhecimento, competências técnicas - uma dimensão de envolvente – factores político-religiosos, económico-sociais, culturais e educativos - e uma dimensão de personalidade – motivação, confiança, não conformismo – e interagem de forma multiplicativa para gerarem outputs criativos19.

A criatividade é, assim, aqui entendida como, uma realidade social com valor económico, como uma concretização ou resultado de um processo e não como um mero potencial ou uma condição.
 
A distinção entre “criatividade artística” e “criatividade comercial” continua, assim, a fazer sentido, muito embora as suas fronteiras se tenham tornado mais esbatidas20, nomeadamente quando se procura estabelecer os contornos precisos de um sector ou de um grupo de actividades económicas.

A criatividade artística possui, com efeito, um valor em si mesma, associado à liberdade de expressão dos artistas e criadores, independente das obras em que se traduz virem ou não a ser objecto de transacções mercantis, muito embora a formação e consolidação de um mercado de obras de arte e a difusão comercial alargada de conteúdos criativos seja um dos factores que contribui para tornar aquelas fronteiras menos claras,

A criatividade comercial corresponde, pelo seu lado, a um processo de incorparação de elementos inovadores e diferenciadores, estéticos e funcionais, nomeadamente, em bens e serviços destinados a satisfazer necessidades expressas no(s) mercado(s), possuindo apenas um valor indirecto ou mediatizado, na medida em que permita gerar valor económico para a empresa onde esse mesmo processo se desenvolve".(p. 26)
 
Na página 125 encontramos as conclusões e recomendações quanto à Cultura e Sociedade do Conhecimento e da Informação.

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