quarta-feira, 11 de março de 2015

Déjà Lu: livraria sem fins lucrativos de livros em 2ª mão

Clique na imagem para aumentar.

Déjà Lu é uma Livraria de livros já já lidos, cujas receitas revertem a favor da Ass. Port. Portadores de Trissomia 21.

https://instagram.com/livraria.dejalu/


terça-feira, 10 de março de 2015

Quando a realidade ultrapassa a ficção...tantas vezes!

“Meu Nome é Mandrake. Sou advogado criminalista. O caso que vou relatar comprova, como disse alguém cujo nome não recordo, que a verdade é mais estranha que a ficção porque não é obrigada a obedecer ao possível.”

Rubem Fonseca em “A Bíblia e a Bengala”

segunda-feira, 9 de março de 2015

As 10 bibliotecas mais memoráveis do cinema


A Bela e a Fera

A imensa biblioteca da Fera encantou Bela e se tornou desejo de consumo de muitas crianças que assistiram ao filme.

 
A Bela e a Fera (Foto: Divulgação) 

Harry Potter

Já imaginou ter acesso a uma biblioteca como a de Hogwarts, que sempre tem o livro que você procura? Pena que este lugar mágico só existe mesmo no mundo da ficção.



Harry Potter (Foto: Divulgação)

Star Wars Episódio 2: O Ataque dos Clones

Uma biblioteca com todo o conhecimento do universo. Quem poderia querer mais do que isto?



Star Wars Episódio 2: O Ataque dos Clones (Foto: Divulgação) 

O Clube dos Cinco

Uma biblioteca é o cenário em que acontece praticamente toda a história deste clássico juvenil dos anos 1980. Curiosamente, os personagens passam muito mais tempo conversando do que lendo.



O Clube dos Cinco (Foto: Divulgação) 

Um Sonho de Liberdade

Andy (Tim Robbins) finalmente consegue montar a biblioteca de seus sonhos dentro da prisão de Shawshank, no exato momento em que tem a chance de escapar.

Um Sonho de Liberdade (Foto: Divulgação) 

Superman

A Fortaleza da Solidão, onde o homem de aço (Christopher Reeve) conversa com seu falecido pai Jor-El (Marlon Brando), é também uma biblioteca de cristal que guarda todo o conhecimento do planeta Krypton.


Superman (Foto: Divulgação)
Indiana Jones e a Última Cruzada

“O X marca o local.” A biblioteca de Alexandria, uma das mais importantes da história da humanidade, é um dos pontos por onde passam Indiana Jones (Harrison Ford) e seu pai (Sean Connery) na busca pelo Santo Graal.

Indiana Jones e a Última Cruzada (Foto: Divulgação)
Amor Além da Vida

As bibliotecas também existem no além e são belíssimas, ao menos no caso desta.


Amor Além da Vida (Foto: Divulgação)
The Pagemaster: O Mestre da Fantasia

Macaulay Culkin vive um garotinho tímido e solitário que, ao se esconder em uma biblioteca durante um temporal, viaja por um mundo de fantasia inspirado em clássicos da literatura, através das páginas do livro Pagemaster.

The Pagemaster: O Mestre da Fantasia (Foto: Divulgação) 

O Nome da Rosa

William de Baskerville (Sean Connery) encontra, escondida em uma abadia, uma biblioteca labiríntica e repleta de livros únicos, proibidos pela Igreja. Infelizmente, ela acaba sendo engolida pelo fogo.
O Nome da Rosa (Foto: Divulgação) 

quinta-feira, 5 de março de 2015

3 dicas para escritores iniciantes / 3 tips to aspiring writers




"1. Tear into it
In her book, Practical Tips for Writing Popular Fiction (Writers Digest), novelist Robyn Carr suggests you study fiction to become a better writer. This is great advice. Read a book once as a dreamer, a second time as detective. Start looking at how other authors are doing it. How do they structure their sentences? How much dialogue do they use? What are the main plot points? Don’t just do it on good books but on those that disappointed you. Try to find the knocks in the engine.
Picasso said to copy others was necessary but to copy yourself is pathetic. That’s a good point. I’m not suggesting you copy or steal other stories – but to look at the structure behind the stories of others. You then start to use this to build your own stories.

Tip: Type out the first page or chapter of a novel you’ve read. You’ll be so close to the work, you’ll see the structure emerge first hand.


2. It’s in the detail
When learning our craft, we learn to pay careful attention to detail. We start to see how important it is to paint our words with the right colour, shape and size. The right detail makes your writing come to life, and helps us build a believable story world.  Sometimes we forget that what we see in our minds as writers isn’t available to the reader – we have to make sure it’s on the page. We learn to gather and organise these so they draw the reader in.

Tip: Visit a coffee shop. Write down all the fascinating and mundane descriptive details. Fill a page or ten pages.  Find the ones that give a mental picture of the place. Choose just five sentences from your pages that give the best ‘snapshot’.


3. Take off the training wheels
Reading and studying about the craft of writing can teach us a lot – and writing is about learning and improving all the time. But ‘studying’ can also turn into a form or procrastination. We don’t get back to our stories and put (perfect) theory into (sometimes-clumsy) practice. 
We all have our own approaches to writing. No one can tell you how writing will work in your life and your career. This is something you have for figure out for yourself.  But as they say: ‘Learn the rules before you break them.’

Tip: Have a Journalist Day. Find the one event in your day – or even a friend’s day – and write a 300-word article, poem or mini-story about it. Give yourself a 5pm deadline. Keep it. Get in the habit to writing to a deadline. 
Making up stories is easy. Finding the language, structure and focus to shape your imagination into a novel, screenplay or short story is a lot of hard work".

Fonte:Writers Write

sábado, 21 de fevereiro de 2015

O livro é um portão / A book is a gate



O livro é o portão de acesso
à liberdade e ao saber.
E nem sequer cobra ingresso:
basta abri-lo, entrar… e ler!

Antônio Augusto de Assis

quarta-feira, 18 de fevereiro de 2015

Os livros e a depressão / Reading with depression




Depois de ler sobre o modo como os livros ajudam a lidar com a depressão no meio de uma crise, eis uma nova perspectiva: depois da depressão, o que muda na leitura?


Reading, Depression, and Me


Last month, Rioter Amanda wrote about the challenges she had while trying to read during a bout with depression. The post resonated with me particularly hard and at a timely moment. Just days before, I went and got help for depression after years (and years and years) of believing that it was who I was and something that I could manage entirely on my own.
For long periods of my life, hitting low points meant turning to books, rather than turning away from them. I could sit down on a weekend and devour 4 or 5 novels in no time. Sinking into another world, one entirely outside of my head, meant getting away from the disease. I could disconnect from myself. I’ve always been a fan of dark realities, since so often, they’re well beyond any realm I could imagine in my own world. Whatever was causing me pain couldn’t hold a candle to the things I was seeing in fiction.
When you’re in a bad mental place, you reach for comfort wherever you can find it.
I put off getting help not just because I thought I could do it myself. I was also influenced by too-frequently-seen narratives in books — and other media — about mental illness. When you struggle with something like depression or anxiety or both, your brain isn’t functioning normally on any level. You really believe the terrible things your mind is telling you. Regular exposure to the message that seeking help, especially medication, is a sign of weakness and a means of numbing yourself to reality, sinks in. The last thing in the world I wanted as a writer and as a reader was to feel like the things that buoyed me through rough times would be the first things I’d lose when getting better.
After making the excruciatingly hard decision to medicate, I can’t say enough for what a positive difference this has made in my life. Especially my reading and writing life.
I’m enjoying — really, really enjoying — reading and talking about reading in a way that I never have before. It’s not a support system for me. Rather, it’s an engaging, fully-immersiveexperience that I am an active, present part of. I’m still turning to dark books but the way I feel about them is changed. I think I love them even more because I see my world in there.Because I am able to see what is and isn’t reality. I’m coming at stories with a better sense of who I am and what it is I believe, increasing my empathy for characters and choices they make.
There’s a sense of quiet in my head I’ve never had before. That quiet has given me the chance to concentrate and think critically in ways I’ve struggled with in the past. I’m not rushing from idea to idea; instead, I’m able to think through the actions and choices in a story and pluck more carefully and more thoroughly at the strings holding them together. My time with a book extends beyond what it’s bringing me at the moment — escape, comfort — and I’m more able and excited to grapple with ideas days later.
My reading and my writing have both slowed down. But it’s the kind of slowing down that feels good. There’s breathing room and thinking room, with no pressure to hurry up and get through so I can fill those spaces with more things. I’m taking part in enjoyable, richly rewarding activities that fuel and exercise my mind, not just turn it off.
Someone told me that there comes a grieving period when depression/anti-anxiety medication and/or therapy and/or other treatment starts to really work. It’s not grieving about losing who you are; it’s about how much you denied your past self. About how you didn’t give yourself the chance to function but listened to those painful messages your mind fed you.
Depression took me out of my reading life. Recognizing that — and getting help for it — has put me back in in ways I could never have imagined. Reading isn’t about powering through. It isn’t about disconnecting.
Reading is about being a part of something.

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