Mostrar mensagens com a etiqueta artigo. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta artigo. Mostrar todas as mensagens

quinta-feira, 5 de março de 2015

3 dicas para escritores iniciantes / 3 tips to aspiring writers




"1. Tear into it
In her book, Practical Tips for Writing Popular Fiction (Writers Digest), novelist Robyn Carr suggests you study fiction to become a better writer. This is great advice. Read a book once as a dreamer, a second time as detective. Start looking at how other authors are doing it. How do they structure their sentences? How much dialogue do they use? What are the main plot points? Don’t just do it on good books but on those that disappointed you. Try to find the knocks in the engine.
Picasso said to copy others was necessary but to copy yourself is pathetic. That’s a good point. I’m not suggesting you copy or steal other stories – but to look at the structure behind the stories of others. You then start to use this to build your own stories.

Tip: Type out the first page or chapter of a novel you’ve read. You’ll be so close to the work, you’ll see the structure emerge first hand.


2. It’s in the detail
When learning our craft, we learn to pay careful attention to detail. We start to see how important it is to paint our words with the right colour, shape and size. The right detail makes your writing come to life, and helps us build a believable story world.  Sometimes we forget that what we see in our minds as writers isn’t available to the reader – we have to make sure it’s on the page. We learn to gather and organise these so they draw the reader in.

Tip: Visit a coffee shop. Write down all the fascinating and mundane descriptive details. Fill a page or ten pages.  Find the ones that give a mental picture of the place. Choose just five sentences from your pages that give the best ‘snapshot’.


3. Take off the training wheels
Reading and studying about the craft of writing can teach us a lot – and writing is about learning and improving all the time. But ‘studying’ can also turn into a form or procrastination. We don’t get back to our stories and put (perfect) theory into (sometimes-clumsy) practice. 
We all have our own approaches to writing. No one can tell you how writing will work in your life and your career. This is something you have for figure out for yourself.  But as they say: ‘Learn the rules before you break them.’

Tip: Have a Journalist Day. Find the one event in your day – or even a friend’s day – and write a 300-word article, poem or mini-story about it. Give yourself a 5pm deadline. Keep it. Get in the habit to writing to a deadline. 
Making up stories is easy. Finding the language, structure and focus to shape your imagination into a novel, screenplay or short story is a lot of hard work".

Fonte:Writers Write

quarta-feira, 18 de fevereiro de 2015

Os livros e a depressão / Reading with depression




Depois de ler sobre o modo como os livros ajudam a lidar com a depressão no meio de uma crise, eis uma nova perspectiva: depois da depressão, o que muda na leitura?


Reading, Depression, and Me


Last month, Rioter Amanda wrote about the challenges she had while trying to read during a bout with depression. The post resonated with me particularly hard and at a timely moment. Just days before, I went and got help for depression after years (and years and years) of believing that it was who I was and something that I could manage entirely on my own.
For long periods of my life, hitting low points meant turning to books, rather than turning away from them. I could sit down on a weekend and devour 4 or 5 novels in no time. Sinking into another world, one entirely outside of my head, meant getting away from the disease. I could disconnect from myself. I’ve always been a fan of dark realities, since so often, they’re well beyond any realm I could imagine in my own world. Whatever was causing me pain couldn’t hold a candle to the things I was seeing in fiction.
When you’re in a bad mental place, you reach for comfort wherever you can find it.
I put off getting help not just because I thought I could do it myself. I was also influenced by too-frequently-seen narratives in books — and other media — about mental illness. When you struggle with something like depression or anxiety or both, your brain isn’t functioning normally on any level. You really believe the terrible things your mind is telling you. Regular exposure to the message that seeking help, especially medication, is a sign of weakness and a means of numbing yourself to reality, sinks in. The last thing in the world I wanted as a writer and as a reader was to feel like the things that buoyed me through rough times would be the first things I’d lose when getting better.
After making the excruciatingly hard decision to medicate, I can’t say enough for what a positive difference this has made in my life. Especially my reading and writing life.
I’m enjoying — really, really enjoying — reading and talking about reading in a way that I never have before. It’s not a support system for me. Rather, it’s an engaging, fully-immersiveexperience that I am an active, present part of. I’m still turning to dark books but the way I feel about them is changed. I think I love them even more because I see my world in there.Because I am able to see what is and isn’t reality. I’m coming at stories with a better sense of who I am and what it is I believe, increasing my empathy for characters and choices they make.
There’s a sense of quiet in my head I’ve never had before. That quiet has given me the chance to concentrate and think critically in ways I’ve struggled with in the past. I’m not rushing from idea to idea; instead, I’m able to think through the actions and choices in a story and pluck more carefully and more thoroughly at the strings holding them together. My time with a book extends beyond what it’s bringing me at the moment — escape, comfort — and I’m more able and excited to grapple with ideas days later.
My reading and my writing have both slowed down. But it’s the kind of slowing down that feels good. There’s breathing room and thinking room, with no pressure to hurry up and get through so I can fill those spaces with more things. I’m taking part in enjoyable, richly rewarding activities that fuel and exercise my mind, not just turn it off.
Someone told me that there comes a grieving period when depression/anti-anxiety medication and/or therapy and/or other treatment starts to really work. It’s not grieving about losing who you are; it’s about how much you denied your past self. About how you didn’t give yourself the chance to function but listened to those painful messages your mind fed you.
Depression took me out of my reading life. Recognizing that — and getting help for it — has put me back in in ways I could never have imagined. Reading isn’t about powering through. It isn’t about disconnecting.
Reading is about being a part of something.

sexta-feira, 8 de fevereiro de 2013

O futuro das bibliotecas num mundo digital / "The Future of Librarians in an EBook World"

"In an environment where we are continually being solicited to buy, click on, or otherwise consume products selected for us by algorithms (which often make ridiculous and even insulting suggestions), the presence of a guiding human sensibility seems more valuable than ever. A good librarian, unlike the monetizing formulas employed by Google or Amazon or Facebook, is not only capable of independent thought, he or she is also committed to nurturing critical thinking in others. All the technological bells and whistles a library can employ are pretty much worthless if there’s no one minding the store".

Este é o excerto de um artigo pertinente sobre os desafios que hoje se colocam às bibliotecas. Leia na íntegra AQUI.

quarta-feira, 30 de janeiro de 2013

O fétiche por imagens de livros na internet / The fetish of book images on the internet

Eu pertenço a este clube! :)


Face Out: The Curious Rise of Bibliographics
Suzy Staubach



What does the proliferation of sites, books, and blogs celebrating images of books say about our relationship with the printed word?


While we debate whether reading a book printed on paper or via an e-reader is preferable, a fetish of book images has emerged here in the U.S. and in Europe, manifesting itself both online and in print books themselves. It has permeated Facebook, Pinterest, Tumblr, and beyond.

There is clearly a deep and widespread fascination with these images, representations of books, mirrors that cannot themselves be read. I admit that I’ve been pulled in, fascinated, looking, posting, but I still wonder what it signifies.

First, let’s take a quick tour.

The web site My Ideal Bookshelf (www.myidealbookshelf.com), which is also a book, features paintings of book spines by Jane Mount. The artist says she “paints portraits of people through the spines of books,” believing the books a person chooses to display tell a lot about him or her. On the site, you can commission an original painting by Mount in gouache on fine watercolor paper, framed or unframed, of your own favorite books. You can also order a painting for a friend or order notecards and prints of her earlier bookshelf portraits.

The companion book, My Ideal Bookshelf (9780316200905), features Mount’s paintings of the spines of books selected by dozens of well-known writers, such as Michael Chabon and Jennifer Eagan. The bright paintings, one shelf for each author, with a row of books against a white background, are an intimate peek at writers’ reading habits. Looking at Mount’s art, I found myself wanting a painting of my books too, although my house is awash in books.

Bookshelf (9780500516140) by Alex Johnson showcases modern and highly original bookshelves. There are “library” shelves that look like buildings and “pallet” shelves that look like, well, pallets, and shelves made of stainless steel or polyurethane. This is a heavily illustrated book, ostensibly for sophisticated designers who, as a professional matter, use books as presentation. Again, this is about images.

And then there’s Bookshelf Porn. In January 2009, Anthony Dever created his visual blog (http://bookshelfporn.com) using Tumblr “to allow people to indulge their love of books, libraries, bookstores, and bookcases by showcasing the best bookshelf photos from around the world.”

I think the notion of equating looking at and lusting after beautiful bookshelves filled with books with pornography is a keen insight into the increasing popularity of images of books and bookish things. Have books become objects of desire or is it the representation of books that is desired? Bookshelf Porn also has a strong presence on Facebook and Pinterest and was chosen by Time magazine as one of the 25 best blogs of 2012. The blog’s Facebook page has more than 52,000 likes—that’s 52,000 people looking at Facebook posts of bibliographics every day, often several times a day.

The Book Riot web site (http://bookriot.com) is devoted to lists and recommendations of books to read. Its Facebook page (www.facebook.com/BookRiot?fref=ts), however, is intensely visual, with frequent posts of images and quotes about books, reading, bookstores, and bookshelves. The posts are so good, it’s tempting to share all of them on your own or your bookstore’s page. Based in Brooklyn, Book Riot has a staff and attracts advertising. Its Facebook page boasts almost 33,000 likes.

Pinterest is a feast of book visuals, with many boards and pinners devoted to images of bookstores, libraries, books in art, quotes about books, bookshelves, other things made to look like books, people reading, and on and on. For starters, there’s Book Patrol, Book Expo, Bibliophilia, ABA, and many bookstore pinners focusing on book images as well as individuals with boards devoted to book images. I’m not talking about book-cover pins, which are essentially promotional, but delicious photos of books in every guise.

Tattered Cover has close to 3,000 followers of its many images on Pinterest. Why are all these people looking at pictures of benches made to look like books, earrings in the shape of books, cozy booklined rooms, bookmobiles, Middle Eastern bookstalls, and more?

Two recent illustrated books for people who love ogling images of beautiful rooms filled with books are Living with Books (9780500290309) by Dominique Dupuich and Roland Beaufre and Books Make a Home (9781849751872) by Damian Thompson. These are dream-books for those of us who don’t have houses large enough for separate library rooms or the funds to purchase all the books we would like to own.

Dreaming may explain the astonishing proliferation of book and book-related images and the many people flocking to them. I wonder if the images are a fantasy fulfillment of our desires. Are they salve for the unconscious fears that lurk in our reader souls as we spend our frantic days working in an increasingly technological world? Is it easier, less time-consuming in our time-pressed days, to feel admirably bookish by looking at these images rather than by actually reading? Are the people looking at and sharing and posting these images just book people looking for one more literary high? Is it a fad?

It’s certainly interesting that the surge of bibliographics coincides with the rise of e-books and the Internet. They are a different flavor of virtual.

As perplexed as I am about how to interpret what this means for our culture as a whole, neither do I know what it means for the physical books on our bookstore shelves or the e-books on our web sites. However, there is no question that representations of books are capturing the imaginations of many.

Whatever the meaning, as an extension of the book culture in which we already participate as purveyors of books, we cannot let ourselves be left behind. Perhaps it’s time to join the cult of bibliographics ourselves? 

http://onlinedigitalpublishing.com/article/Face+Out%3A+The+Curious+Rise+of+Bibliographics/1281715/0/article.html
 

terça-feira, 22 de janeiro de 2013

"Vale a pena ler um livro": electrónico ou em papel?

Aqui fica um artigo de opinião de

"O audiovisual continua a alastrar a sua intervenção e com a sua enorme capacidade sedutora continua a chegar a muitos cidadãos. De entre os diversos conteúdos acessíveis no moderno audiovisual podemos destacar o livro eletrónico, uma novidade que vai naturalmente ganhando novos adeptos.
Mas sabemos como o mundo da eletrónica evolui vertiginosamente.
Rapidamente um utensílio fica desatualizado, passa de moda, sendo colocado facilmente de lado pelo utilizador que ambiciona manipular o que surge de mais recente, utilizar o mais moderno. Mesmo reconhecendo-se que um utensílio tem validade, troca-se por já não oferecer o estímulo da novidade.
Um livro eletrónico, apaga-se ou então, qual ficheiro colecionável, arquiva-se num local como grão de areia.
Mas um livro de papel…
Vale a pena ler um livro, folheá-lo, é uma relação mais quentinha.
Na montra ou no expositor dá-nos uma imagem e quando lhe pegamos tem um volume que se sente facilmente a três dimensões; tem uma capa e uma contracapa, dura ou mole, tem um odor, porventura um cheiro a novo, e tem um conteúdo que lido e entendido pode acompanhar uma vida.
Um livro de papel pode passar a fazer parte de quem o lê, das suas atitudes, dos seus sentimentos e emoções. Pode tornar-se numa companhia que pelo menos, havendo claridade está sempre disponível para permitir uma relação de intimidade mais ou menos prolongada com os conteúdos que estão escritos, e com as mensagens desencadeadas no leitor.
Um livro é um objeto com história, com um antes, um durante e um depois e sendo um livro de papel, não passa de moda, porque ao ser lido está na moda de quem o lê. Oferece materialmente uma estabilidade de relação com o leitor que é muito mais segura, fiel e palpável do que o virtual.
Um livro de papel olha-se e vê-se, abre-se e fecha-se, toca-se e sente-se, no todo ou em parte, ou página a página ou em várias partes.
Sente-se e pode-se ouvir o virar da página feito com um dedo porventura humedecido ou feito com vários dedos. E de seguida pode fixar-se a página virada afagando com os dedos, seja um livro de bolso ou um livro maior. E se teimosamente insiste em se fechar, com o polegar fazemos a pressão adequada para que se mantenha o livro aberto.
Um livro de papel pode-se estimar, há quem forre um determinado livro, quem lhe ponha uma capa para o proteger. Também se pode sublinhar e há quem o faça inúmeras vezes, como que a vincar o valor das palavras, a intensidade do pensamento ali escrito.
Um livro de papel faculta um sentido de posse, ou da estima, da utilidade, da memória para futuro, eventualmente reforçada com uma pérola como seja uma dedicatória que alguém escreveu para transmitir carinho, afeição, muita dedicação ou até e apenas respeito, de quem assina para quem o recebeu.
Há quem personalize a sua posse e lá escreva o seu nome e morada, ou quem lhe coloque um carimbo pessoal, familiar ou institucional.
Um livro para uma criança? Mas isso pode ser um bem extraordinário.
Um dicionário? Que maravilha para a criança passear os seus dedos, olhar, ver e adquirir conhecimento. Que bela pedagogia.
Uma criança pode colher da leitura de um livro benefícios que não colhe do ecrã do computador e da Internet, nomeadamente na manipulação das folhas reais desse objeto porventura facilmente transportável, que pode ser bastante resistente e bastante seguro, que pode ser sua pertença juntamente com muitos outros, e que também pode oferecer e trocar.
Tendo imagens fixas, não emitindo radiações, um livro para uma criança pode ter conteúdos que estimulam a fantasia, o imaginário, o interesse pelas histórias, pelo futuro, e que permitem armazenar informação selecionada e que foi escolhida pelos autores de quem o imaginou e construiu.
Sim, porque apesar de tudo, a publicação de um livro de papel passa por diversos intervenientes com critérios, com níveis de responsabilidade e de saber mais exigentes do que muito do que se pode encontrar no mundo da Internet.
Em boa verdade o crescente mega mundo universal da Internet tem outros critérios de publicação e de emissão do que está disponível. Sendo avassalador o seu imediatismo e poder de atração com som e imagem de qualidades extraordinárias, exige muito mais atenção e muitos cuidados perante o acesso de um clique feito por uma criança.
E a situação pode piorar deveras quando se trata de uma criança desprevenida e que não esteja acompanhada por quem a respeite, e ajude a escolher por onde navegar sem lhe provocar algum dano no seu mundo interno e relacional.
Há que reconhecer que de um modo geral, um livro de papel foi selecionado e está disponível com outros critérios e interesses, que podem nada ter a ver com os critérios e interesses de muitos dos materiais virtuais colocados nas redes/web".

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