7 leitoras de Fongwei Liu / 7 women reading by Fongwei Liu

 

Fongwei Liu

Os livros e a leitura pelas ilustrações de Michel Boucher/ Books and reading illustrated by Michel Boucher

 

 Michel Boucher

Qual é o movimento mais erótico da mão?

Malandros, o que estavam a pensar? :)

Felicidade é... / Happiness is...

Um like para a leitura / A like for reading

A leitora com nuvens no cabelo / Woman reading with white clouds in her hair

Veruschka Guerra

Sobre o silêncio / About silence

Sonia Kretschmar

“Silence is a strange thing to us who live: we desire it, we fear it, we worship it, we hate it. There is a divinity about cats, as long as they are silent: the silence of swans gives them an air of legend."

Keith Douglas, Alamein to Zem Zem

7 frases elegantes de Chanel / 7 quotes with style by Coco Chanel

 

1. “In order to be irreplaceacle, one must always be different.”

 [Para sermos insubstituíveis, temos sempre que ser diferentes]

2. “Since everything is in our heads, we had better not lose them.”

 [Já que tudo está nas nossas cabeças, é melhor que não as percamos]

3. “You live but once; you might as well be amusing.”

 [Apenas vives uma vez, mais vale que te divirtas]

4. “A girl should be two things: who and what she wants.”

[Uma mulher deve ser duas coisas: quem e o que quiser]

5. “Simplicity is the keynote of all true elegance.”

 [Simplicidade é a chave da verdadeira elegância]

6. “My life didn’t please me, so I created my life.”

[A minha vida não me agradava, então criei a minha vida]

7. “Fashion changes, but style endures.”

 [A moda muda, mas o estilo é eterno]

Fonte

 

1. “In order to be irreplaceacle, one must always be different.” [Para sermos insubstituíveis, temos sempre que ser diferentes]
2. “Since everything is in our heads, we had better not lose them.” [Já que tudo está nas nossas cabeças, é melhor que não as percamos]
3. “You live but once; you might as well be amusing.” [Apenas vives uma vez, mais vale que te divirtas]
4. “A girl should be two things: who and what she wants.” [Uma mulher deve ser duas coisas: quem e o que quiser]
5. “Simplicity is the keynote of all true elegance.” [Simplicidade é a chave da verdadeira elegância]
6. “My life didn’t please me, so I created my life.” [A minha vida não me agradava, então criei a minha vida]
7. “Fashion changes, but style endures.” [A moda muda, mas o estilo é eterno]
- See more at: http://betrend.pt/flash-trend/7-frases-de-chanel/#sthash.OkvJdk3A.dpuf

Leitoras à sombra / Women reading under a tree

 

Claude Fossoux

Uma leitora de 1905 / Woman reading in 1905

 

Mlle Cora Laparcerie by Leopold Reutlinger c.1905

Biblioteca de Praia no Areal da Foz do Arelho

Clique na imagem para aumentar.

Horário: 10h30 às 13h00 | 14h00 às 17h30 (todos os dias)

Mais AQUI.

Um livro e um copinho de leite / A book and a glass of milk

A actriz Loretta Young com um livro e um copinho de leite.

4 leitoras de Ellen de Groot / 4 women reading by Ellen de Groot

Ellen de Groot

6 dicas para escritores de John Steinbeck / 6 tips on writing from John Steinbeck

John Steinbeck, vencedor do  Pulitzer e do prémio Nobel dá 6 dicas para escritores, numa entrevista em 1975, para The Paris Review:

1. Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.

2. Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.

3. Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.

4. If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.

5. Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.

6. If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.

Fonte